How To Network w/Writer-Director Louie Cortes

This week Manny and Lindsay sit down with filmmaker, and long-time collaborator Louie Cortes. Together, the three of us as written, produced and directed our first feature film, Blood Slaughter Massacre, our web-series-turned-featurette, The Attack Of The Brain People, and a number of short films, including Louies' web series Holidays Of Terror. When we began working separately, creatively, Louie produced Good Day with us on crew, and we produced Theta States, with him on crew.

Last week, we discussed how to Micro-Budget your script, and we mentioned how one of the biggest assets in doing low/no budget films is having a crew that you collaborate with regularly. These people will be there on your sets, and you will be on their sets. Rather than you paying them $200 per day, and then they paying you $200 a day right back, you work, indebted to each other, with the combined purpose of getting your projects done and out into the world. All of our films began from simply seeing each other on the subway one day, and talking. That's all there is to networking and building your creative group. 

Today we'll discuss the ways we have met the many members of our regular crew, and the multitude of other places you can find filmmakers, actors, and other creatives! 

Check out Louies work and films at www.newneedleproductions.com 

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“I think the movie business and film crews are a little bit like the circus, in that we travel around like a pack and we’re a big family for a finite period of time. We roll into someplace, cause a bunch of damage, and then roll out.”

— Francis Lawrence

How To MicroBudget Your Script

We're back! Our computer unfortunately died on us (we did discuss it during the recording, but that turned into a 20+ minute discussion, so it was cut. we'll cover the issue we had on a future episode discussing hardware and software you can use!) so we've been away trying to sort that all out, install the new PC, and get everything up and running.

Two weeks ago, Lindsay was on one of our favorite Filmmaking podcasts, Making Movies Is Hard, and she discussed their prospects of making their own first feature film and how to re-work their budget to affordable levels. So, this week, we give you our response to that interview, and talk about how we keep our budgets down for our films. 

We discuss our own methods and experiences producing the films Blood Slaughter Massacre, Theta States, Good Day, Attack Of The Brain People, Zombie Hunters: City Of The Dead, and the countless short films we've worked on over the past 12 years. The people who we've worked for free for, the favors we've asked for, and fulfilled, bartering your services for assistance, supporting other filmmakers, finding locations for cheap or free, and most importantly, getting your film done at a price you can afford. 

Check out the links below for some of the films, podcasts and videos we discussed in this episode, and get to making your first film!

Making Movies Is Hard! Podcast (Lindsay can be heard on Episode 104)
Mark Duplass - SXSW Keynote
Zombie Hunters: City of the Dead
Madison 48 Hour Film Project

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any questions, comments, or subjects you'd like to hear us discuss.

“Who gives the fuck about the cavalry? You are the cavalry. You have a group of friends that needs your support. As they get more successful and you make a shitty movie, they will lift you up. This will equalize you. You have a bevy of work behind you and not one of those are you embarrassed to show your children later on. Most importantly, you’re now in a corner of the sandbox that is completely your own. No one can stop you from doing exactly what you want to do. If you can accept that the cavalry won’t come, and if you can be the cavalry, it gives you a chance to be happy.”

— Mark Duplass

What are Development Funds?

Manny and Lindsay take on a subject that many independent filmmakers are unaware of this week, and that is Development Funds. This area of your budget is not always necessary, and it depends on what your film budget is actually going to be. 
What are development funds? Where does this money come from? When do you pay it back (if at all)? How does this affect your films budget as a whole? Where do you investors fit into this fund?
As part of NYU's Tisch School of the Arts Women Filmmakers series, we sat in on the "Working Above the Micro-Budget Level" Workshop with Naomi McDougall Jones and Sarah Wharton where this was discussed. So we got this straight from two sources who have done it themselves, and we are here to share what we learned with you. 

Catch us at the Severed VHS Trade and Short Film Night, this Saturday May 27th, where we will be premiering our new short film, Knock Knock, and we will have a table for the day. Grab tickets here: www.shermantheater.com/?e=event&eventId=21952&rDate=5/27/2017
And Sunday May 28th, you can see our new film Theta States at the First Contact Film Festival at 2:40pm, along with a full day of other indie horror and scifi films. Tickets are $10 for the day, and you can get them here: filmfreeway.com/festival/firstcontact/tickets

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any questions, comments, or subjects you'd like to hear us discuss.

“When you’re making an independent film, it’s like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money’s gone. It’s this frightening puzzle mosaic that is the world of independent film.”

— Jill Soloway

Books Vs Scripts w/ Author Loren Molloy

This week on Filmmaking Sucks, Manny and Lindsay sit down with author Loren Molloy to discuss the differences between writing a book vs a script. Besides the obvious format differences, when writing a novel, the creator tends to be less restricted in their story writing, but there still must be some level of constraint. With a script, you must be stricter with your writing, but more can be left open to interpretation, so it can be left available to create on set. 

We also get into the hot debate of the movies vs the novel/comics and discuss a few other subjects regarding them. 

You can find Loren Molloys books at lorenmolloy.com and see her at the upcoming shows Scare A Con and Grindhouse Night at Cafe Z!

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any questions, comments, or subjects you'd like to hear us discuss.

“I love the movies, and when I go to see a movie that’s been made from one of my books, I know that it isn’t going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I’ll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it.”

— Stephen King

Working Conventions

This week on Filmmaking Sucks, Lindsay and Manny discuss what is like working the convention circuit. Many indie filmmakers, especially those in the horror genre, decide to forego the traditional distribution route, and opt instead to sell their films themselves by running tables at conventions like Monster Mania, Chiller Theatre, Horrorhound, Texas Frightmare, Cinema Wasteland, and more. 
Here on the North-East coast, the convention circuit filmmakers are like a family, and these events are like a reunion to us. We love doing the shows, seeing each other, sometimes filming in the hotels, and hanging out with everyone. We'll discuss many of the perks, and the not-so-perks of choosing this path. The costs involved, the legalities, and the benefits of building relationships within this community. 
We also discuss how working conventions differ from doing film festivals, and our personal feelings on the two venues. 

You can catch us vending at the Severed Film Fest at the Sherman Theater on May 27th in Stroudsberg, PA and for the screening of Theta States at 2:40pm at the First Contact Film Festival on May 28th, at Camp Jefferson in Lake Hopatcong, NJ!
Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any questions, comments, or subjects you'd like to hear us discuss.

Profile Image credit to Todd Staruch

The Horrors of Producing a TV Series

This week, Scott W. Perry joins Manny and Lindsay again to discuss his series "In Fear Of." 

Producing a TV or Web Series is a long process and big commitment. With many moving parts and different directors on each episode, the production can balloon very quickly and just as quickly it can go off the rails. With the success of In Fear Of behind him, Scott tells us many of the pitfalls he experiences, from running out of money, pitching to producers, directors walking off set and the fallout from the burning of friendships.

This is one episode that truly lives up to the title of "Filmmaking Sucks" and proves that time, patience, and perseverance are your greatest assets. If you've experienced a bad shoot, or a failed production, then this discussion proves you're not alone and that giving up is not an option. 

You can find Scott W. Perrys web series In Fear of on Facebook at facebook.com/InFearOf and on twitter at @scottwperry1977. 

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any questions, comments, or subjects you'd like to hear us discuss.

“To be a film-maker, you have to lead. You have to be psychotic in your desire to do something. People always like the easy route. You have to push very hard to get something unusual, something different.”

— Danny Boyle

The Writers Process w/Scott Perry

Every writer has a process, and it's different for each one. This week, Manny and Lindsay sit down with writer/producer/director Scott W. Perry and discuss the process of completing a script. 

Scott is the producer of the web series "In Fear Of" where he worked with over a dozen directors and writers. In a situation like that, you learn the art of collaboration, and in that comes the true form of filmmaking, but it all begins with the script. 

There are also certain guidelines that can be used when writing a script, which can help you move your screenplay forward when you're stuck. There are also other things which producers will look for when reading a script, and we will discuss what some of these guidelines are, and how you can get a producers attention, without them actually reading your script. 

From the writing of Joseph Campbell and Syd Field, to finding inspiration, knowing your characters, creating a world, setting your themes, and writing for TV vs film, there are many parts to a good screenplay, and we discuss each of them on this in-depth episode of Filmmaking Sucks!

You can find Scott W. Perrys web series In Fear of on Facebook at facebook.com/InFearOf and on twitter at @scottwperry1977. 

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any questions, comments, or subjects you'd like to hear us discuss.

“One thing that helps is to give myself permission to write badly. I tell myself that I’m going to do my five or 10 pages no matter what, and that I can always tear them up the following morning if I want. I’ll have lost nothing—writing and tearing up five pages would leave me no further behind than if I took the day off.”

— Lawrence Block

On-Set Horror Stories!

We're back! This week, in what is possibly our least structured episode yet, we have a conversation with teenage filmmaker, Anthony Edward Curry. Anthony, who began making his first feature film at 13 years old and completing it at 15, has since gone on to working on numerous indie projects with many of the NY/NJ Indie Filmmakers, including a number of other young filmmakers he came up with. 
Throughout the conversation, we talk with him about his first film, Movie Night, as well as his current film, other projects he is working on, how he finds new work, networking, and staying busy.
Discussing some of our own personal on-set horror stories, we prove that you're never too old (or young) to make mistakes. Fighting to make your indie film perfect, buying blood vs making blood, and someone close to Anthony was in The Warriors!
You can find Anthony on Facebook and Instagram, as well as his production companies Mayhem Films and Ouroboros Films.

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any questions, comments, or subjects you'd like to hear us discuss.

“I hope that in this year to come, you make mistakes. Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re doing something. ”

— Neil Gaiman

Why You Need A Producer During Production

Hiring a good producer is so important to you film, we needed two weeks to explain it. The day-of filming is the most important moment for your film, and if you're directing, the only thing you should be concerned with is getting what you need on-screen. We're sure you're setting up lights, working with actors, telling your cameraman what you want, running scenes, etc. The producers key responsibility is to create an environment where everyone can do their obs properly. Whether it be negotiating extra time with your location owner, making sure the food arrives when you need it to, getting talent or crew to set (or home) if a problem arises..

The producer is your problem solver for the day. We will explain all of this to you, with a few nightmare stories of our own, and hopefully we can convince you that you do in fact need a producer for your film.

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any question, comments, or subjects you'd like to hear us discuss.

“If two men on the same job agree all the time, then one is useless. If they disagree all the time, both are useless.”

— Darryl F. Zanuck

Why You Need A Producer

Hiring a producer can be expensive, so many indie filmmakers write and direct their own films, which is just fine. But then, they decide "I'll do it myself" when it comes to producing, and they don't realize how much they have actually hurt their film by making that decision.

The truth is, it's because most don't actually know what the producer is supposed to do, and how much work truly goes into their job. Maybe you cant afford a real producer, but you do need to find someone to work as your producer. This week, we will cover the many things a producer does to get your film up off the ground and running during Pre-Production. 

From creating your production bible, to character breakdowns, to equipment and props lists, hiring department heads, breaking down the script, location scouting, casting, budgeting, scheduling and so much more. 

Listen in as we discuss everything a producer does for your film during the pre-production process on Filmmaking Sucks!

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any question, comments, or subjects you'd like to hear us discuss.

“It doesn’t have anything to do with the budget of the film. It has to do with the scope and scale of ambition, and the skill that people brought to it to realize that ambition.”– James Schamus

The Casting Process

Actors. You can't make a movie without them! Obviously... well then lets talk!
How do you find them? How do you cast them? How do you pay them? SHOULD you pay them?
Is your friends brother the best choice? Are you an actor? Would you like to be an actor? 
We cover all these topics and more, along with a few casting do's, don't and a couple of horror stories of our own, this week on Filmmaking Sucks!

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any question, comments, or subjects you'd like to hear us discuss.

“Casting directors tend to be the unsung heroes in this business.”

— Brent Sexton

Tips for Successful Crowdfunding

This week Lindsay, Mario and Manny discuss some tips on how to create a successful crowdfunding campaign for your film.

There's more to a successful campaign than just posting and hoping for the best. With so many crowdfunding campaigns out there, you need to stand out from the group and offer things no one else is. Breaking it down into the familiar Pre-Production/Production/Post-Production phases is your first step in planning and executing your campaign. We break your campaign down into those three phases and give you useful pointers to consider when campaigning. 
Planning your market strategy, filming regular update videos, offering useful perks (including when and if to offer the film itself as a perk!), and getting it out to the right audience. 

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any question, comments, or subjects you'd like to hear us discuss.

““There are two ‘i’s’ in Fundraising – they should stand for inspiration and innovation, not imitation and irritation.””

— Ken Burnett

Sound Pt. 2 - Production and Post-Production

In part 2 of our Sound discussion, Manny, Lindsay and Mario give you a checklist of things to look out for when you are on set. How to get the best sound quality, avoiding ADR sessions, grabbing sound fx, and so much more.

Then, once filming has completed, the real work begins in sound post-production. This topic can be discussed as an entire episode on its own, so we give you some of the basics: programs, sound libraries and a few other helpful tips. 

Subscribe to us on iTunes, Stitcher, YouTube, Google Play, or your favorite podcatching app. And don't forget to rate and review us! Email us at filmmakingsucks@gmail.com with any question, comments, or subjects you'd like to hear us discuss.

“I cannot state enough how important post-production is for the success of a horror movie. You bring so much to it with the way you edit it, the way it is sound-designed, and the way the music works with it.”

— James Wan

Sound Pt. 1 - Buying Microphones

This week on Filmmaking Sucks, Manny, Mario and Lindsay discuss the variety of microphones, the different types there are, and which one you will need for your shoot. 

Mics can get extremely expensive, but you don't always have $500 to drop on one. My new podcast, Filmmaking Sucks, is aimed at all of the budding filmmakers out there, and the newest episode discusses the basics you should know when choosing the right microphone for your indie film, especially on a budget.
Should you get a Dynamic Mic or Condenser Mic?
Omnidirectional, Bi-Directional or Unidirectional?
Whats the difference between Cardioid, SuperCardioid and HyperCardioid?

We run down the different sound profiles each one has, and how to use them, so when it is time for you to build your sound kit, you will know what to look for. Your beginners tutorial to buying the right on-set microphone is here, so check it out below. This is the first half of our discussion on sound, with part 2 coming up in the next episode, and we will cover Production and Post-Production. 

You can subscribe to the Filmmaking Sucks Podcast on iTunes and Google Play, and please rate and review us! 
You can also email us at filmmakingsucks@gmail.com with your feedback, suggestions and questions. 

“You can use shabby equipment like cassette players or you can use high-end equipment, but it’s all about ideas, and ideas don’t rely as much on technology as you might think.”

— Christopher Shutt

Cinematography Panel at Macabre Faire Film Festival

This week on Filmmaking Sucks we are proud to bring you the audio from a Cinematography Panel hosted by Manny Serrano and Patrick Devaney at the Macabre Faire Film Festival. The panel itself discusses the importance and unimportance of certain pieces of equipment, frame rates, HD vs 4K, shooting on cell phones, tons of knowledge that we hope many of you will find interesting. 

Thank you for listening, please subscribe to us on iTunes and stay tuned for brand new episodes of Filmmaking Sucks coming very soon! 

“You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.”

— Nicolas Roeg

Women In Horror Panel

This week, we bring you something very special! On January 14th, the Macabre Faire Film Festival hosted a Women In Media panel, and we are proud to bring you the audio of that discussion. All of the women involved are making huge strides, advancing the way people view women working in horror today. 

Hosted by Adam Ginsberg, the panel members include:

Lindsay Serrano (Producer/Director/Writer www.massgravepictures.com)
Debra Markowitz (Writer/Director/Producer www.intentionfilmsandmedia.com)
Kelly Rae LeGault (Actress kellyraelegault.com)
Jennifer Valdes (Writer/Director/Producer www.jennifervaldesfilms.com)
Beatrice Sniper (Makeup/SFX Artist www.beatricesniper.com)
Deana Demko (Actress/Sculptress/Author www.facebook.com/OfficialDeanaDemkoPage)
Gail Wisun-Gooch (Costumer www.gailgooch.com)

Listen in and hear what these amazing women have to say about what they love to do, and how they plan to change the landscape of horror films!

Subscribe to the Filmmaking Sucks Podcast on iTunes, and please rate and review us!
You can also email us at filmmakingsucks@gmail.com with your feedback and questions. 

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Photo: Todd Staruch - www.horrornerd.net

““Sometimes, you just have to go in there and bowl people over with your sheer force of will.””

— Jennifer Yuuh Nelson

Lesson 1 - Just Get It Done!

Over the years, we have met many people who (just like we all did at first) said they cant make their film because they don't have the right camera, or the right equipment, or the right actors, the locations, the sets, the know-how.. there's always something. What those things equate to are just excuses. It's self-sabotage. If you say you don't have what you need, then it can't be your fault when it doesn't get done, right? WRONG! 

The first, and most important lesson in becoming an indie filmmaker is as simple as this: JUST GET IT DONE! Your first film will be bad, it will be filled with mistakes, mishaps, problems, and everything will go wrong. And even if you're lucky enough to capture lightning in a bottle, a few years from now, you'll hate it because you'll know how to do it better. 

Waiting for the right equipment, or the right actor, the right location, the right set of circumstances, waiting for ANYTHING is the first mistake everyone makes. Just grab a camera and start shooting. Quality comes with experience and time. First, just get it done and go forward from there. 

Subscribe to the Filmmaking Sucks Podcast on iTunes, and please rate and review us! 
You can also email us at filmmakingsucks@gmail.com with your feedback and questions. 

“The most difficult and challenging thing about directing a film, is getting out of the car.”

— Stanley Kubrick quoting Stephen Speilberg

Film Festivals: The Good, The Bad, The Ugly..

The Film Festival is the coveted rite of passage that every filmmaker must pass through. Film Festivals are one of the sacred combination locks we much attempt to crack, and honestly, we need to do it with limited funds. How can you do that?
Networking, Planning, and Time. How does that work..? Listen in and find out from our first hand experiences of submitting, attending and vending at film festivals. 

Don't forget, this Friday, January 13th, come on out to the Macabre Faire Film Festival in Ronkonkoma, NY and catch the premiere of our newest feature length psychological horror film, Theta States! Beyond that, Lindsay will be hosting a panel on Pre-Production, Friday at 6pm: Homework Before The Filming Begins, as well as a panel on Women In Media alongside Jennifer Valdes, Deana Demko, Gail Wisun-Gooch, Kell Rae LeGault, Debra Markowitz, Beatrice Sniper and Christina Raia. Then on Sunday, Manny will be on a panel with fellow filmmaker Patrick Devaney, discussing Cinematography at noon.

Tickets are available at MacabreFaireFilmFest.com 

Subscribe to the Filmmaking Sucks Podcast on iTunes, and please rate and review us! 
You can also email us at filmmakingsucks@gmail.com with your feedback and questions. 

“The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.”

— Keanu Reeves

Our Mission Statement?

Welcome to the first episode of the Filmmaking Sucks podcast! Now, we don't actually think filmmaking sucks. In fact, we love every second of it, but that doesn't mean its easy. We put our heart and souls into every page we write, frame we shoot, and scene we edit, and sometimes, it just sucks. But we still love it. 

As your hosts are Manny Serrano, Lindsay Serrano and Mario Melillo. Each week (or, best attempt at each week) we will discuss a subject in straight talk. By that we mean, no cuts, no edits, straight through our mouths, into your ears. We are here to discuss our filmmaking successes, mistakes, happy accidents, and some of the lessons we've learned along the way, and we want to be as honest as possible about it.

Full disclosure: if you do hear an edit, it is because a mic went out, a loud car passed by, a memory card was full, or something else that could possibly affect the physical audio of the show occurred. We can't control everything, we can only work with what we have, and do the best job we possibly can. 

On our first episode, we are going to keep it light, talk a bit about ourselves, some of the things we've done, and maybe help you to get to know us a bit better. 

Subscribe to the Filmmaking Sucks Podcast on iTunes, and please rate and review us! 
You can also email us at filmmakingsucks@gmail.com with your feedback and questions. 

“Our worst day on set, is still better than our best day anywhere else. ”

— Every Filmmaker Ever.

The Filmmaking Sucks Podcast!

The Filmmaking Sucks Podcast! 

In the process of becoming a professional filmmaker, you make a lot of mistakes along the way. For 30 minutes each week (or longer, who knows?), we'll run down all of our past mistakes, and talk about how we fixed them, so hopefully, you don't make those same mistakes.
A behind the scenes look on the daily hell which is independent production. 

Filmmaking Sucks, but we love it anyway, and here's why!